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La pluralité des points de vue dans "Les fous de Bassan" d'Anne Hébert, "Les derniers jours de Smokey Nelson" de Catherine Mavrikakis et "Les sangs" d'Audrée Wilhelmy

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Identiferoai:union.ndltd.org:mcgill.ca/oai:escholarship.mcgill.ca:8k71nk381
Date January 2019
CreatorsVincent, Myriam
ContributorsIsabelle Daunais (Internal/Supervisor)
PublisherMcGill University
Source SetsMcGill University
Languagehttp://id.loc.gov/vocabulary/iso639-2/fre
Detected LanguageFrench
TypeThesis
RightsAll items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated.
RelationPid: 168040

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