<p>The gradual change in attitude to modern theatrical dialogue is outlined and an investigation of frisch's dialogue is carried out. It is established that the lack of communication manifest in the dialogue between characters on stage has as its counterpart a high level of communication between stage and audience. The means whereby this is achieved lies in the manipulation of dalogue in- and cross-stage.</p> / Master of Arts (MA)
| Identifer | oai:union.ndltd.org:mcmaster.ca/oai:macsphere.mcmaster.ca:11375/9333 |
| Date | January 1968 |
| Creators | Joy, Bell Winifred Deirdre |
| Contributors | Schulte, H. H., German |
| Source Sets | McMaster University |
| Detected Language | English |
| Type | thesis |
Page generated in 0.0023 seconds