Isak Dinesen's Seven Gothic Tales is part of a literary tradition whose most important feature is its subversiveness. This subversion involves supernatural or fantastic elements in the creation of a temporary alternative world. The ensuing struggle between the real and the fantastic worlds is often embodied by a bourgeois heroine and an aristocratic male villain, respectively. The role of the heroine is pivotal to the plot for it is her survival that signals the defeat of a subversive alternative world. But what happens when the villain is a woman? Can her subversion be feminist in nature? The popularity and financial success of women writers of the Gothic means they could not have contradicted dominant views of gender. Yet, Dinesen's fiction demonstrates that subversion is indeed possible. A look at her life and her nonfiction works will facilitate an investigation into the subversive nature of her Gothic tales.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.60601 |
| Date | January 1991 |
| Creators | Cossaro-Price, Rossana |
| Publisher | McGill University |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Format | application/pdf |
| Coverage | Master of Arts (Comparative Literature Program.) |
| Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
| Relation | alephsysno: 001257071, proquestno: AAIMM72205, Theses scanned by UMI/ProQuest. |
Page generated in 0.0022 seconds