This thesis investigates how women and the natural world are naturalized and feminized within the 1984 film Nausicaä of the Valley of the Wind by Hayao Miyazaki. I construct this analysis through a Marxist Ecofeminist framework that highlights the role of reproductive labor in the subordination of both women and nature. By focusing on Princess Nausicaä and the Ohmu I identify and problematize the ways in which women are naturalized and “nature” is feminized within the film.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:lnu-113590 |
| Date | January 2022 |
| Creators | Whitley, Abbey Austin |
| Publisher | Linnéuniversitetet, Institutionen för språk (SPR) |
| Source Sets | DiVA Archive at Upsalla University |
| Language | English |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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