Paul Austers New York Trilogy has long been considered a classic postmodern detective tale. But isn’t there more to the story? In this study I investigate how masculinity and fatherhood is portrayed in the first and the third novel of the trilogy, City of Glass and The Locked Room. Using a theoretical framework including R.W. Connells term hegemonic masculinity, Helena Wahlströms the new father and post-nuclear masculinity, and lived embodiment, as explained by J. Björklund et. al., I discuss how the male characters in the novels struggle with their gender identity and their role as fathers. The results of the study show that the men, portrayed in a time of change and uncertainty about gender roles – New York City during the 1980s – continuously act in relation to the hegemonic masculinity and patriarchal systems, whilst also exploring behaviors and characteristics outside the norm.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:uu-447870 |
| Date | January 2021 |
| Creators | Ålund Thorgren, Linn |
| Publisher | Uppsala universitet, Litteraturvetenskapliga institutionen |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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