This dissertation explores the analysis and creation of compositions from the standpoint of texture and momentum. It is comprised of four chapters. The first presents a number of concepts as tools for analysis, including textural typography and transformation, perception of time and psychological engagement of an audience, and respiration as a metaphor for musical momentum. The second and third chapters apply these tools to Gerard Grisey's "Periodes" and "Partiels," and Brian Ferneyhough's "Lemma-Icon-Epigram." The fourth explores specific methodologies used in composing my dissertation piece, "Phase," including the application of number systems ranging from formal to local levels.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc862829 |
| Date | 08 1900 |
| Creators | Robin, Brad |
| Contributors | Klein, Joseph, 1962-, May, Andrew, 1968-, DeRosa, Rich |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | xi, 171 pages : illustrations, music, Text |
| Rights | Public, Robin, Brad, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
Page generated in 0.0025 seconds