The development of Ausländerâs poetic identity is tracked by analyzing a distinctly Romantic aesthetic in her oeuvre. These aesthetics are placed into historical and literary context by examining the influence of other poets of the 19th and 20th centuries, such as Heinrich Heine, Annette Droste-Hülshoff, Else Lasker-Schüler, and Rainer Maria Rilke on Ausländer. This analysis also reveals the strong affiliation of the poet to place and the appropriation of literary figures like the Loreley and Scheherazade.
| Identifer | oai:union.ndltd.org:VANDERBILT/oai:VANDERBILTETD:etd-03242016-002137 |
| Date | 30 March 2016 |
| Creators | Romero, Aurora Belle |
| Contributors | Christoph M. Zeller, P. James McFarland, John A. McCarthy, William Franke |
| Publisher | VANDERBILT |
| Source Sets | Vanderbilt University Theses |
| Language | English |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | http://etd.library.vanderbilt.edu/available/etd-03242016-002137/ |
| Rights | unrestricted, I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to Vanderbilt University or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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