The presented thesis introduces Rudolf Arnheim's core claims regarding psychology of art. Arnheim's conceptions of expression, affectivity, visual dynamics, centric and eccentric composition (etc.) are investigated within the text. Furthermore, more recent empirical findings are brought to attention to confront Arnheim's view. A complete picture of Arnheim's theory of expression should be drawn in historical context. The empirical study hereby conducted offers a closer look at a number of Arnheim's hypotheses regarding the "weight" phenomenon, as described by author. The perception of "weight" is observed in relation to the chromatic characteristics of presented stimuli. Keywords Rudolf Arnheim, Gestalttheorie, theory of expression, affectivity, perception
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:436690 |
| Date | January 2020 |
| Creators | Kutil, Lukáš |
| Contributors | Lukavský, Jiří, Šípek, Jiří |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
Page generated in 0.0229 seconds