This work begins with an introduction where I explain the goal of this text. I continue with an overview of my beginnings with work on Il Tabarro from Puccini. I shortly discuss some historical details concerning the opera and give a synopsis of the plot.Then I discuss, in some deatil, the working processes of learning the opera, and give practical suggestions in regards to systematic technigues for learning an opera. I discuss the importance of very soecific work with the breath during the study process. Then I shift the conversation to the dramatic content of the opera which is followed by an interview with Zdeňka Sajfertova. I then offer my own interpretation of the characters, their relationships, and conflicts.The text continuer with a discussion about how our work largely depends on co-working with others, I end with interviews which I conducted as an informational basis for this thesis, followed by a few closing words.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:156029 |
| Date | January 2012 |
| Creators | Bijok, Tomáš |
| Contributors | KUSNJER, Ivan, BÁRTA, Martin |
| Publisher | Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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