Throughout its long history, the Brahmanical literary tradition has demonstrated a
deep concern with gifting and, thus, provides valuable data on this important institution
in pre-modern South Asia. Significantly, this long tradition of reflection on the gift
culminates in a class of texts called dānanibandhas, which start to appear in the early
twelfth century CE and continue to be composed in widespread areas of the subcontinent
until roughly the beginning of British rule. These dānanibandhas draw together,
organize, and comment upon a vast array of earlier scriptures on dāna (Sanskrit:
gift/gifting) and, therefore, represent a grand attempt to synthesize all earlier Brahmanical
thought on the subject. Consequently, they are invaluable sources for the understanding
of orthodox Brahmanical theories of the gift during much of South Asian history. Despite
their potential value to modern scholarship, however, none of these texts has been
translated into any Western language or even properly edited. Thus, the state of these
primary sources greatly hampers any scholarly attempts at their analysis. This dissertation constitutes a first and crucial step toward remedying this situation, for it comprises a
critical edition and annotated translation of the Dānakāṇḍa (“Book on Gifting”), the fifth
section of the encyclopedic Kṛtyakalpataru of Lakṣmīdhara and the earliest extant
dānanibandha. As a complement to this philological work, a more general study of
Brahmanical theories of the gift with special emphasis on the early dānanibandhas has
been included. / text
Identifer | oai:union.ndltd.org:UTEXAS/oai:repositories.lib.utexas.edu:2152/7546 |
Date | 01 June 2010 |
Creators | Brick, David James |
Source Sets | University of Texas |
Language | English |
Detected Language | English |
Format | electronic |
Rights | Copyright is held by the author. Presentation of this material on the Libraries' web site by University Libraries, The University of Texas at Austin was made possible under a limited license grant from the author who has retained all copyrights in the works. |
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