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The Interaction of Sonata Form and Schemata Derived from Galant Practice in the First Movements of Mozart's Keyboard Sonatas

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1. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1470754875

Identifer	oai:union.ndltd.org:OhioLink/oai:etd.ohiolink.edu:ucin1470754875
Date	10 October 2016
Creators	Magarotto, Matteo
Publisher	University of Cincinnati / OhioLINK
Source Sets	Ohiolink ETDs
Language	English
Detected Language	English
Type	text
Source	http://rave.ohiolink.edu/etdc/view?acc_num=ucin1470754875
Rights	unrestricted, This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws.