This thesis explores the various manners in which schadenfreude – taking pleasure in the misfortunes of others – functions in the theatrical works of Golden-Age Spain, specifically in three donjuanesque plays of the seventeenth century. The first chapter of the thesis analyses schadenfreude as exercised in Tirso de Molina’s "El burlador de Sevilla y convidado de piedra," a play in which Don Juan’s pleasurable deceptions incur the enjoyment of his demise. In the second chapter, a variation on the theme of Don Juan finds playwright Alonso de Córdoba y Maldonado applying schadenfreude as a literary technique in his play "La venganza en el sepulcro." Finally, a female representative of the Don Juan archetype is examined in the third chapter, which features María de Zayas y Sotomayor’s only known comedy "La traición en la amistad." / Graduate / 0465 / 0294 / 0313 / tmak@uvic.ca
| Identifer | oai:union.ndltd.org:uvic.ca/oai:dspace.library.uvic.ca:1828/6568 |
| Date | 26 August 2015 |
| Creators | Makalima, Teboho |
| Contributors | Restrepo-Gautier, Pablo |
| Source Sets | University of Victoria |
| Language | English, English |
| Detected Language | English |
| Type | Thesis |
| Rights | Available to the World Wide Web, http://creativecommons.org/licenses/by-nc-nd/2.5/ca/ |
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