Examines the use of vernacular, country guitar styles in an electro-acoustic environment. Special attention is given to performance practices and explanation of techniques. Electro-acoustic techniques-including sound design and spatialization-are given with sonogram analyses and excerpts from the score. Compositional considerations are contrasted with those of Mario Davidovsky and Jean-Claude Risset with special emphasis on electro-acoustic approaches. Contextualization of the piece in reference to other contemporary, electric guitar music is shown with reference to George Crumb and Chiel Meijering.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc4282 |
| Date | 08 1900 |
| Creators | Welch, Chapman |
| Contributors | Rovan, Joseph, Nelson, Jon Christopher, Klein, Joseph, 1962- |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Copyright, Welch, Chapman, Copyright is held by the author, unless otherwise noted. All rights reserved. |
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