<p>Inbjuden av Gustaf III, den franska teaterdekoratören, konstnären och arkitekten Louis Jean Desprez, i Sverige 1784-1804, förnyade teaterdekorationen på Operan. Genom att analysera Desprez’ teaterdekorationer med inspiration från de abstrakta konstnärerna Mondrian, Malevich och Rothko, utvecklar uppsatsen ett nytt tolkningssystem som tillsammans med traditionell tolkning innebär en djupare tolkningsmetod. Detta visar att Desprez’ teaterdekorationer var viktiga för Gustaf III:s kulturpolitik</p> / <p>Invited by king Gustaf III, the French artist stage painter Louis Jean Desprez, in Sweden 1784-1804, renewed Opera stage painting.Lillemor Erlander1Inspired by abstract artists Mondrian, Malevich and Rothko, in analyzing the stage painting of Desprez, this paper develops a new system of interpretation which together with traditional interpretation signifies a new deeper method of interpretation. This shows that the stage painting of Desprez was of importance to the cultural policy of Gustaf III.</p>
| Identifer | oai:union.ndltd.org:UPSALLA/oai:DiVA.org:liu-20645 |
| Date | January 2009 |
| Creators | Erlander, Lillemor |
| Publisher | Linköping University, Department of Culture and Communication |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, text |
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