This is a study of the shorts and feature films by the young, prolific French film director, François Ozon. The thesis uncovers the impact of Ozon’s oeuvre on cinematic audiences. The films raise questions about death, desire and sexual relationships in unsettling and surprising ways, through a variety of different genres. This thesis focuses on close textual reading of the films, employing feminist and queer theory to underline and echo the implications of Ozon’s representations of sexuality; here it is argued that Ozon’s work presents a challenge to heteronormative ideology and culture. In particular, this study suggests that Ozonian cinema encourages the spectator to take up a fluid and non-normative viewing position often denied in mainstream narrative cinema. This study focuses on analyses of taboo, trauma and loss, as well as generic conventions and gender performances which refer to psychoanalytic, feminist and queer understandings of certain behaviours and situations; quotidian, but intense, experiences in the films emphasize ways in which the human subject struggles with the expression of desire and sexuality. Although not as radical as queer theorists or film critics may wish, Ozon’s films often use comedy and irony to illustrate the problems of a restrictive patriarchal society and the way it can harm individuals, thus unsettling the normative assumptions on which the majority of social structures are still based. Ozonian cinema, this thesis argues, thus presents a compassionate and, indeed, political comment on contemporary French and European society.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:547298 |
| Date | January 2009 |
| Creators | Stanley, Alice |
| Publisher | University of Warwick |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://wrap.warwick.ac.uk/3195/ |
Page generated in 0.0017 seconds