This dissertation explores the field of new interpretation means in the compositions for the guitar solo by Czech contemporary authors. Nineteen works have been chosen, in the period from 1943 to 2015. The material obtained through analysis is by the means of comparison explored into a greater depth.
The result of the research can be summarised in the statement that to write well for the guitar means to understand the right hand. In the chapter about instrumentation I further explain these features. The aim of this thesis is to inspire new works for the guitar.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:363552 |
| Date | January 2017 |
| Creators | Mazan, Josef |
| Contributors | RAK, Štěpán, KLAUS, Miloslav |
| Publisher | Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/doctoralThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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