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Anyone Lived in a Pretty How Hell: the Rhetoric of Universality in Bessie Head

This dissertation approaches the work of South African/Botswanan novelist Bessie Head, especially the novel A Question of Power, as positioned within the critical framework of the postcolonial paradigm, the genius of which accommodates both African and African American literature without recourse to racial
essentialism. A central problematic of postcolonial literary criticism is the ideological stance postcolonial authors adopt with respect to the ideology of the metropolis, whether on the one hand the stances
they adopt are collusive, or on the other oppositional. A key contested concept is that of universality, which has been widely regarded as a witting or unwitting tool of the metropolis, having the effect of denigrating the colonial subject. It is my thesis that Bessie Head, neither entirely collusive nor oppositional, advocates an Africanist universality that paradoxically eliminates the bias implicit in metropolitan universality.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc278802
Date05 1900
CreatorsEdwards, George, Jr.
ContributorsTanner, James T. F., Parrish, Timothy, Rodman, Barbara Ann
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatv, 228 leaves, Text
RightsPublic, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Edwards, George, Jr.

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