The purpose of this thesis is to illustrate and compare, through a representative historical sampling of music, the concepts of tonality evolved by Paul Hindemith in his Craft of Musical Composition, Vol. I; and Heinrich Schenker in his Tonwille, MusijNkeael ische Theorien Fantasien, Das jeisterwerk in der Musik, and Per Freie Satz.5 When feasible, these two concepts will be compared with the conventional concept.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc663397 |
| Date | 01 1900 |
| Creators | Knod, Grace E., (Grace Edith) |
| Contributors | Dorn, Gerhardt George, 1911-, Ottman, Robert W. |
| Publisher | North Texas State College |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | ix, 86 leaves : leaves, Text |
| Rights | Public, Knod, Grace E., (Grace Edith), Copyright, Copyright is held by the author, unless otherwise noted. All rights |
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