yes / In this article, we suggest that our semiotic understanding of
embodiment could be expanded to include a socially exalted individual
who embodies a symbol. To illustrate this argument, we draw on an
ongoing research project that examines fandom rhetoric and debates
around the ‘Greatest of all time’ or the GOAT symbol in Tennis. Grounding Bakhtin’s tri-distinctions of identity, I-for-myself, I-for-other, other-for-me, in a Kantian hermeneutic tradition, we perform a theoretically informed analysis of the GOAT debate. Neither of the three components exists in isolation, rather, they interact in a reflexive
dialogue which continually shapes and re-shapes individual consciousness and experiences of embodiment. We apply a ‘Romanticism aesthetic activity’ analytical framework to the tri-distinctions of identity, that consists of ‘creative’ and ‘critical’ rhetoric, within which we found genres of ‘myth,’ ‘art,’ and ‘science.’ Each genre functions, through disparate means to exalt or metamorphise an individual (our focus is on Roger Federer) into a cultural symbol, and that the symbolic form of
GOAT reflexively organises the emotional field and identities for those
fans deeply invested in it. This paper contributes to the current cultural
psychological literature on understanding the mediation of people to symbols in a new digital age.
| Identifer | oai:union.ndltd.org:BRADFORD/oai:bradscholars.brad.ac.uk:10454/18636 |
| Date | 06 October 2021 |
| Creators | Intezar, Hannah, Sullivan, Paul W. |
| Publisher | Culture & Psychology |
| Source Sets | Bradford Scholars |
| Language | English |
| Detected Language | English |
| Type | Article, Published version |
| Rights | © 2021 The Authors. Published by Sage. This work is licensed under a Creative Commons Attribution 4.0 International License. |
Page generated in 0.0021 seconds