This thesis is an attempt to portray the birth of British modern drama and the most important figures breaking its new ground; more to the point, to shed light on the second generation of British dramatists breaking what G.B. Shaw used to call ‘middle-class morality’. The focal point here is fixed on Stephen Poliakoff, one of the distinctive dramatists in contemporary British theatre, his work and the dramatic tinge he adds to the new drama. / Doctorat en Langues et lettres / info:eu-repo/semantics/nonPublished
Identifer | oai:union.ndltd.org:ulb.ac.be/oai:dipot.ulb.ac.be:2013/210559 |
Date | 01 February 2008 |
Creators | Idrissi, Nizar |
Contributors | Debusscher, Gilbert, Maufort, Marc, Mingelgrun, Albert, Callens, Jan, Bellarsi, Franca, Den Tandt, Christophe |
Publisher | Universite Libre de Bruxelles, Université libre de Bruxelles, Faculté de Philosophie et Lettres – Langues et Littératures, Bruxelles |
Source Sets | Université libre de Bruxelles |
Language | English |
Detected Language | English |
Type | info:eu-repo/semantics/doctoralThesis, info:ulb-repo/semantics/doctoralThesis, info:ulb-repo/semantics/openurl/vlink-dissertation |
Format | 1 v. (313 p.), No full-text files |
Page generated in 0.0022 seconds