In this paper, I examine the press of Rio de Janeiro in August and September 1922 to argue that Brazils centennial celebrations represented a novel, yet culturally conservative, attempt by Brazilian and Portuguese political elites to frame the young nations heritage in a European light by focusing exclusively on the Portuguese past. The centennial can therefore be held up in contrast to more daring conceptualizations of Brazilian national identity that were emerging around the same time, most notably during São Paulos Modern Art Week.
| Identifer | oai:union.ndltd.org:VANDERBILT/oai:VANDERBILTETD:etd-06182015-110550 |
| Date | 28 July 2015 |
| Creators | Pendergraph, Joseph Maxton |
| Contributors | Marshall Eakin |
| Publisher | VANDERBILT |
| Source Sets | Vanderbilt University Theses |
| Language | English |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | http://etd.library.vanderbilt.edu/available/etd-06182015-110550/ |
| Rights | unrestricted, I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to Vanderbilt University or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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