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The Emergence of the Double-Action Harp as the Standard Instrument: Pleyel's Chromatic Harp and Erard's Double-Action Harp

The primary purpose of this essay is to provide comparisons between Pleyel's chromatic harp and Erard's double-action pedal harp, in order to find the factor leading to the emergence of the double-action harp as today's standard instrument. This essay includes biographies of Gustave Lyon and Sébastien Erard, historical background, literature, criticisms, influences, performance techniques and as well as musical examples demonstrating written techniques of Pleyel's chromatic harp and Erard's double-action pedal harp. In addition, this essay also includes a list of earlier twentieth-century works for the chromatic harp.

Identiferoai:union.ndltd.org:UMIAMI/oai:scholarlyrepository.miami.edu:oa_dissertations-1108
Date22 May 2008
CreatorsChen, Lee-Fei
PublisherScholarly Repository
Source SetsUniversity of Miami
Detected LanguageEnglish
Typetext
Formatapplication/pdf
SourceOpen Access Dissertations

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