Within the body of "migrant" literature, the work of Marie-Celie Agnant is distinguished by its strong testimonial nature. The author herself ascribes a certain instrumental role to literature; through her fictional narratives, Agnant bears witness to the collective experiences of women in Haiti and also of female Haitian immigrants in Montreal. What, then, of the function or literary value of her work? This thesis responds to this question through the study of three works by Marie-Celie Agnant: La Dot de Sara (1995), Le Livre d'Emma (2001), and Le Silence comme le sang (1997). The analysis of the complex relationship between testimony and fiction in Agnant's writing leads to a reflection on the specific character of socially impelled female literature: women writers are driven by the imperative of memory and the desire to convey their occulted history.
Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.116012 |
Date | January 2008 |
Creators | Gilbert, Catherine. |
Publisher | McGill University |
Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
Language | French |
Detected Language | English |
Type | Electronic Thesis or Dissertation |
Format | application/pdf |
Coverage | Master of Arts (Département de langue et littérature françaises.) |
Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
Relation | alephsysno: 002838164, proquestno: AAIMR66947, Theses scanned by UMI/ProQuest. |
Page generated in 0.0031 seconds