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Cinema forges the event : filmmaking and the case of Thomas Harlan's Torre Bela

The film Red Line and accompanying thesis revisit the Documentary Torre Bela (1975) by Thomas Harlan and its memory, reflecting upon the role cinema played in revolutionary process in Portugal in 1975 and its enduring significance to the collective memory of this event.

Identiferoai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:569087
Date January 2012
CreatorsCosta, José Filipe
PublisherRoyal College of Art
Source SetsEthos UK
Detected LanguageEnglish
TypeElectronic Thesis or Dissertation
Sourcehttp://researchonline.rca.ac.uk/1160/

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