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Mater infirma: Merging pariah and Madonna in Pablo Picasso’s blue paintings of prostitute-mothers

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Identiferoai:union.ndltd.org:mcgill.ca/oai:escholarship.mcgill.ca:4x51hq113
Date January 2021
CreatorsGilbert, Sabine
ContributorsMary Hunter (Supervisor)
PublisherMcGill University
Source SetsMcGill University
Languagehttp://id.loc.gov/vocabulary/iso639-2/eng
Detected LanguageEnglish
TypeThesis
RightsAll items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated.

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