Notre-Dame de Paris 1482, by Victor Hugo, is a work which collects many genres. This poetry however gives all signs of clumsiness (let us think of Gringoire's play or of Quasimodo's "verses"), of vulgarity (the language used by the rogues, Jehan Frollo's drinking songs), of analphabetism (a condition shared by Esmeralda, Quasimodo, and "le peuple"), of the secular, even more of the profane (the heresy and anticlericalism present in the novel). The poetry of Notre-Dame de Paris is scattered (dissipated) into a number of under-texts which appear to perturb the rules of "good" literature. / A first part of this thesis examines a few characteristics of the writing of Hugo: its tendency toward a certain declassification, as well as some of its most important aesthetics, such as the grotesque and the excessiveness. A second section is an analysis of different aspects of Gringoire's morality, songs of Jehan and Esmeralda, Quasimodo's "poem"--these aspects being studied through the element of locality and the theme of the volatile.
Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.59989 |
Date | January 1990 |
Creators | Trottier, André |
Publisher | McGill University |
Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
Language | French |
Detected Language | English |
Type | Electronic Thesis or Dissertation |
Format | application/pdf |
Coverage | Master of Arts (Département de langue et littérature françaises.) |
Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
Relation | alephsysno: 001239230, proquestno: AAIMM67636, Theses scanned by UMI/ProQuest. |
Page generated in 0.002 seconds