This thesis is a critical inquiry of the relationship between the architectural aspects of the museum space and the collection on display, regarding to the concept of flexibility. Inside the museum, displayed object can be thought as a two folded representation which can be termed as labeling. Museum space can be thought as the juxtaposed condition of these two bodies of the object. The flexible spatial organization of the museum space is accepted to support the ephemeral character of labeling. Within this context, the concept of flexibility will be analyzed through the cooperative reading of George Pompidou Center and Grand Egyptian Museum. With the aid of concepts of flexibility and hypertextuality that are adopted in these two cases, the study tries to reveal the relationship between the architectural potentials of museum space and the collection belongs to these particular museums. In that respect, the architectural programs of these competitions will be critically reconsidered in order to reveal how the institutions conceive the collections with their expected physical ramifications.
| Identifer | oai:union.ndltd.org:METU/oai:etd.lib.metu.edu.tr:http://etd.lib.metu.edu.tr/upload/12609236/index.pdf |
| Date | 01 January 2008 |
| Creators | Erkaya, Gizem |
| Contributors | Savas, Aysen |
| Publisher | METU |
| Source Sets | Middle East Technical Univ. |
| Language | English |
| Detected Language | English |
| Type | M.S. Thesis |
| Format | text/pdf |
| Rights | To liberate the content for public access |
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