The diploma thesis deals with the memory of the Icelandic rock through a series of abstract paintings anchored in the aesthetics of process painting. The author paints the paintings on the basis of a synthesis of personal experience, a metaphorical conception of geological processes and drawing from a digital photographic master, and observes the relationship between the painter and his painting in the sense of building a painting as an entity with subjective needs. At the same time, the work examines the overlaps and possibilities of abstract painting to stimulate an imagination that changes the resulting meaning and content in relation to its creator or viewer.
Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:445694 |
Creators | Svatoš, Jan |
Contributors | Mikolášek, Martin, Kvíčala, Petr |
Publisher | Vysoké učení technické v Brně. Fakulta výtvarných umění |
Source Sets | Czech ETDs |
Language | Czech |
Detected Language | English |
Type | info:eu-repo/semantics/masterThesis |
Rights | info:eu-repo/semantics/restrictedAccess |
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