This thesis is about the way memory and identity are continually reconstituted and how they shape and impinge upon each other. I use my own experience of growing up in Italian and Anglo Australian cultures as a primary source to examine the changing nature of memory affects and to consider they ways in which events of the past have formed and transformed my cultural identity. I also explore the intermingling of personal and collective memory and how ethnic groups negotiate community identity within national identity formations. Concepts of Deleuze and Guattari, particularly those of the rhizome, the refrain and territorialisation, are keys to understanding practices associated with memory and identity and I apply them throughout the thesis. Nostalgia and loss are emotions often tangled up with memory and identity and I use the work of Barthes, Stewart and Woodward in discussing these. I use other diverse theories to look at the ways memory is embedded in the body ?? manifested in gestures, performance and everyday practices ?? and mediated in rituals, film, photographs, documents and objects. The style of writing does not adhere to the conventions of academic discourse and diverts intermittently from scholarly argumentation. It assembles disparate memory events ?? both personal and collective ?? along with factual information, fragments of biography and autobiography, and reflection and analysis. It is written this way in part to resemble the process of thinking and remembering which is never a smooth, logically flowing stream of intelligence.
| Identifer | oai:union.ndltd.org:ADTP/257574 |
| Date | January 2008 |
| Creators | Powell, Diane, School of English, Media & Performing Arts, UNSW |
| Source Sets | Australiasian Digital Theses Program |
| Language | English |
| Detected Language | English |
| Rights | http://unsworks.unsw.edu.au/copyright, http://unsworks.unsw.edu.au/copyright |
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