Over the last two decades Bongo Fleva music has become a popular form of entertainment as well as a key cultural element among Tanzanian urban youth. The objective of this paper is to examine the role of pseudonyms in this musical genre in Tanzania. It focuses on how Bongo Fleva artists adopt their pseudonyms and discusses their role in identity formation among urban youths in contemporary Tanzania. The paper argues that pseudonyms in Bongo Fleva, as in various other fields, have an important role to play in portraying one’s identity, culture, characteristics, profile, actions, hope and imagination.
| Identifer | oai:union.ndltd.org:DRESDEN/oai:qucosa:de:qucosa:11465 |
| Date | January 2011 |
| Creators | Omari, Shani |
| Contributors | University of Dar es Salaam, Universität mainz |
| Source Sets | Hochschulschriftenserver (HSSS) der SLUB Dresden |
| Language | English |
| Detected Language | English |
| Type | doc-type:article, info:eu-repo/semantics/article, doc-type:Text |
| Source | Swahili Forum 18 (2011), S. 69-86 |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | urn:nbn:de:bsz:15-qucosa-94462, qucosa:11600 |
Page generated in 0.002 seconds