This dissertation considers the rhetorical use of the term “spontaneity” and action affiliated with it from the perspective of ethnomethodology, as a dynamic social practice emergent from concrete interactions among people. I first consider a variety of existing operationalizations of “spontaneity” in academic research from the perspective of what is ethnomethodologically accomplished by these operationalizations, i.e., what questions do they answer or attempt to answer? I then turn to a detailed rhetorical analysis of the term “spontaneity” as an ideograph in improvisational theatre, a social practice in which enactment of spontaneity is treated as criterial to identity and recognition of the practice. In this ideographic analysis, I consider both a set of popular improv method texts and a collection of interviews with improviers who relate narratives about their experiences or observations of spontaneity. I assess the rhetorical practices in these artifacts both through the operationalization framework I identify and from a critical perspective, asking how practices of spontaneity in improv relate to social structures and practices of privilege, oppression and power.
| Identifer | oai:union.ndltd.org:siu.edu/oai:opensiuc.lib.siu.edu:dissertations-2242 |
| Date | 01 August 2016 |
| Creators | Zaunbrecher, Nicolas J. |
| Publisher | OpenSIUC |
| Source Sets | Southern Illinois University Carbondale |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Dissertations |
Page generated in 0.0018 seconds