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Suspensory Filaments

The interrelationships between vision, desire, and language are the elements that
drive my artistic practice. What is seeing? How is seeing related to desire? These questions are at the base of my interests. I recognize optics as a subset of perception, yet I strive to reform them into interchangeable components. My interest in optics is based on doubt. Im not interested in optics correctness, clinical orientation, or current sophistication, but rather in undermining its limitations. Our culture still struggles to absorb the notion of the sentient being, one example is our acuity of vision being standardized to 20/20. Within my research, the perceptual engagement between the work and the viewer is an initial tool to stress the importance of the act of seeing as a language rooted and dynamic human capability. The present work forms a non-linear, non- descriptive assimilation and response to these issues and how they can provide the possibility of a meaningful aesthetic experience for the contemporary viewer. The exhibit includes installations and paintings in diverse media, which were manipulated considering the implication of conceptual juxtapositions as well as the effect they created as sensual surfaces.

Identiferoai:union.ndltd.org:LSU/oai:etd.lsu.edu:etd-05292013-162532
Date11 June 2013
CreatorsPineda, Santiago
ContributorsKelley Scott, Kelli, Koptcho, Leslie, Ortner, Frederick, Celentano, Denyce
PublisherLSU
Source SetsLouisiana State University
LanguageEnglish
Detected LanguageEnglish
Typetext
Formatapplication/pdf
Sourcehttp://etd.lsu.edu/docs/available/etd-05292013-162532/
Rightsunrestricted, I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.

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