My thesis body of work offers a bridge into the physical, emotional, and spiritual
scarring caused by global intolerance towards the LGBTQIA+ community and
oppression embedded by patriarchal power. This body of work is a collection of
resurfaced history and experiences transformed physically by intentionally subverting
hyper-masculine materials into knots. My objective is to deconstruct individual knotted
cords that make up the fabric of my identity and reconstruct them into an installation.
Renascence offers a visceral experience for the audience that aesthetically explores the
body’s transformation as it heals. This thesis asserts a place within a reflective, fluid,
transitional identity expressing the intersection of the temporality and body that I occupy
as a Queer, Latinx artist of color. Working across media, Renascence incorporates
performance, photography, paper, paint, projection, mirrors and built environments. / Includes bibliography. / Thesis (M.F.A.)--Florida Atlantic University, 2018. / FAU Electronic Theses and Dissertations Collection
| Identifer | oai:union.ndltd.org:fau.edu/oai:fau.digital.flvc.org:fau_40835 |
| Contributors | Navarrete, Roberto Rafael (author), Prusa, Carol (Thesis advisor), Florida Atlantic University (Degree grantor), Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History |
| Publisher | Florida Atlantic University |
| Source Sets | Florida Atlantic University |
| Language | English |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation, Text |
| Format | 70 p., application/pdf |
| Rights | Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder., http://rightsstatements.org/vocab/InC/1.0/ |
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