Gros-Calin, La Vie devant soi, Pseudo and L'Angoisse du roi Salomon, the four books written and published by Romain Gary under the name Emile Ajar, clearly stand out from the author's other works. They can be distinguished by their unusual style which presents a multitude of literary devices that closely resemble mistakes and are seldom found in Gary's other writings. / The present study attempts to explain this particular style by the author's desire to create a truly "total novel" as discussed in Pour Sganarelle, an essay that presents Romain Gary's approach to the art of writing. The greater part of this analysis is dedicated to the examination of Ajar's style and will expose the lexical, logical and syntactic characteristics of the four works, in an effort to establish how these literary devices not only contribute to the creation of a particular literary style, but bring forth what can be defined as an entirely new form of literary language.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.28049 |
| Date | January 1997 |
| Creators | Fortier, Dominique, 1972- |
| Contributors | Rivard, Yvon (advisor) |
| Publisher | McGill University |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | French |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Format | application/pdf |
| Coverage | Master of Arts (Département de langue et littérature françaises.) |
| Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
| Relation | alephsysno: 001609646, proquestno: MQ43868, Theses scanned by UMI/ProQuest. |
Page generated in 0.0016 seconds