The aim of this study was to explore representation and use of character in J. M.
Ntsime's play, Pelo e ja Serati, with special reference to the ways in which the
general attitudes and thinking processes of the characters are influenced by the
social environment in which they find themselves. Conflict between traditional and
modern marriage customs, a major theme of Ntsime's play, will also be examined.
Although this study confines itself to Ntsime's drama, it intends to highlight the
significance of characterisation in plays generally. Reference will be made to the
views of, inter alia, Levitt, Pfister and Barry.
This study comprises a total of seven chapters, including the introduction which
details the aim, scope and method of research.
Chapter two provides a backdrop to the analysis, exploring the life and career of J.
M. Ntsime and also summarises the cast of characters and the plot of Pelo e ia
Serati.
Following this mise en scene, chapter three takes up the concept of
"characterisation" and considers the author's use of setting (temporal as well as
geographical) and the significance of place names.
Chapter four focuses on one of Ntsime's most effective methods of characterisation,
his naming of the characters.
Chapter five examines Ntsime's use of imagery and comparison. Chapter six considers the crucial role of conflict in Peto e ja Serati. Here, I examine
the fundamental conflict between traditional and modern marriage customs as well
as the character Dithole's personal struggle between duty/destiny and desire.
Chapter seven concludes this minidissertation by considering, in the spirit of
comedy, the lessons about social change contained in the play. / Thesis (MA)--PU for CHE, 1999
| Identifer | oai:union.ndltd.org:NWUBOLOKA1/oai:dspace.nwu.ac.za:10394/1450 |
| Date | January 1998 |
| Creators | Kotu, Elias Moshaga |
| Publisher | Potchefstroom University for Christian Higher Education |
| Source Sets | North-West University |
| Detected Language | English |
| Type | Thesis |
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