Toru Takemitsu's piano works reveal a new scope to the concept of sound in modern piano literature. He achieves originality through his imagination and his Japanese cultural and musical heritage. Subtle Japanese elements, which have been embedded for centuries in Japan's culture and music, lend a unique, but not outwardly Japanese, feeling to this work.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc332793 |
| Date | 08 1900 |
| Creators | Lee, Chung H. (Chung Haing) |
| Contributors | Banowetz, Joseph |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | vi, 60 leaves : music, Text |
| Rights | Public, Lee, Chung H. (Chung Haing), Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
| Relation | Recital: February 26, 1990, ark:/67531/metadc984011, Recital: October 30, 1989, ark:/67531/metadc983836, Lecture Recital: November 19, 1990, ark:/67531/metadc1075154 |
Page generated in 0.0012 seconds