Since the 1960s, several gifted Korean composers, including perhaps most notably Young Jo Lee (b. 1943), have been internationally acclaimed for their work. In Western countries, however, there has been a scarcity of academic studies examining the artistry of the music of these Korean composers. Nonetheless, as one of today's most recognized composers in Korea, Young Jo Lee has been invited to numerous international concerts, conferences, and festivals where his works have been played and discussed. A salient feature of his compositions is the fusion of Korean traditional music and the elements of Western compositions, such as in, for one distinctive example, his piano composition, Piano Honza Nori. This musical study describes and analyzes how Lee integrates Korean traditional elements with Western musical ideas in Piano Honza Nori. Results of this study will contribute to the limited literature on the analysis of contemporary piano composition that integrates Korean traditional elements.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc283809 |
| Date | 08 1900 |
| Creators | Kim, Jin |
| Contributors | Wodnicki, Adam, Puccinelli, Elvia L., Banowetz, Joseph |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Kim, Jin, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
| Relation | Lecture recital: April 15, 2013, ark:/67531/metadc172235 |
Page generated in 0.0017 seconds