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Förkastandet av idealet : Marc Quinns och Joel Peter Witkins konstnärliga antiideal

<p>The purpose of this essay is to examine what can be considered as obscene in the work of Joel</p><p>Peter Witkin and Marc Quinn, what the similarities and differences are. The essay concerns the</p><p>human body, the norms around it and the old vision of the ideal body. To get closer to my</p><p>question I’ve been examine the meaning of anti-ideal, what it means and what kind of history it</p><p>has. The works I’ve been using to reach to my purpose are Marc Quinn’s sculpture Alison Lapper</p><p>(2005) and Joel Peter Witkin’s photography Abundance (1997). Both of the works are taking the</p><p>position that use to belong to the classical beauty. The analysis of these works focuses on the old</p><p>classical symbol interpretation, the character of the work and the doubt in the old ideal norms of</p><p>the classical beauty.</p>

Identiferoai:union.ndltd.org:UPSALLA/oai:DiVA.org:sh-1036
Date January 2007
CreatorsBlom, Veronica
PublisherSödertörn University College, The School of Culture and Communication
Source SetsDiVA Archive at Upsalla University
LanguageSwedish
Detected LanguageEnglish
TypeStudent thesis, text

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