This study is an examination of Earl Hatch and Clair Musser's transcriptions for marimba of Chopin's Waltz, Opus 64 No. 1, Musser's arrangement of Chopin's Mazurka, Opus 17 No. 4, Hatch's setting of Brahms' Hungarian Dance No. 5, and Frank Mac Callum's treatment of Franck's "Chorale" from the Prelude, Chorale and Fugue. Additionally, the role of the transcription during the Romantic Period, the historical development of the marimba transcription, and performance considerations of the specific works presented are discussed.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc331782 |
| Date | 12 1900 |
| Creators | Houston, Robert E. |
| Contributors | Schietroma, Robert J., Brothers, Lester Dwayne, 1945-, Kuehn, David Laurance |
| Publisher | North Texas State University |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | x, 52 leaves: music, Text |
| Rights | Public, Houston, Robert E., Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
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