The modern trombone player can experience a variety of styles on any given day. There is a need for the ability to switch between a plethora of styles ranging from avant-garde pieces to many forms of popular music to masterworks of the symphonic repertoire. It is the responsibility of the musician (performer or educator) to be familiar with all music due to global access via the internet. There is a responsibility to properly perform and respect music as more composers are beginning to blend different styles, genres, idioms, and cultures within the same composition. Daniel Schnyder is a prominent continuation of this style of musical collage that began with composers such as George Rochberg, Luciano Berio, Bernd Alois Zimmermann, and Charles Ives. The goal of this project is to analyze the stylistic saturation of Daniel Schnyder's Worlds Beyond Suite, focusing on performance and stylistic analysis to aid in an informed performance. This project will highlight the flexibility required by modern trombonists to perform with a deeper understanding of music in multiple styles, as the blending, juxtaposing, and superimposition of style is the universal future of music.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc1707313 |
| Date | 08 1900 |
| Creators | Norton, Colby |
| Contributors | Baker, Tony (Trombonist), Schwarz, David, 1952-, Menard, Steven |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | viii, 48 pages : illustrations, music, Text |
| Rights | Public, Norton, Colby, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
| Relation | Recital: April 19, 2012, ark:/67531/metadc171528, Recital: November 2, 2012, ark:/67531/metadc171720, Recital: April 22, 2013, ark:/67531/metadc177165 |
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