The focus in this project is on the analysis of empirical evidence collected from the
#Khomani and Ngwatle communities relating to representation, theories of reflexivity
and research methodology, as well as responses to The Healing Land (2001) by
Rupert Isaacson, in relation to research methodology, representation and ethical
concerns. This project will examine if and how research can be beneficial to the San,
and interrogate whether auto-ethnography/reflexivity as research methodology can be
used as a way of representing indigenous people in ways that empower them.
Films and books often give little indication of how, by whom and for what
reasons they were produced, which imposes limitation on the knowledge gained by
the reader/viewer. Reflexivity is a methodology that incorporates the producer and
the production process into the final product. Reflexivity directs attention to the'
process and the power relations involved in constructing cultural texts.
Representation of the San Bushmen has had a long history of othering, of perpetuating
colonial domination. The "Other is never simply given, never just found or
encountered, but made" (Fabian, 1990:755). The application of reflexive
methodology could have the potential to undo the perceptions and stereotypes
projected by unidimensional films, writing and pop-anthropology which give no
indication of/attempt to disguise the relationship between producer, process, product
and viewer in the representation of indigenous people. Awareness of the interaction
between observer and observed also leads to consideration of ethics, power relations
and responsibility of academics and filmmakers towards their subjects.
This project discusses encounters in the Kalahari in relation to research
methodology, auto-ethnography and representation. The primary text critiqued is
Rupert Isaacson's book The Healing Land (2001). The application of reflexivity to my
own project incorporates discussion of methodology, the nature of the encounter, and
negotiating my own subjectivities. "To be reflexive is to structure a product in such a
way that the audience assumes that the producer, the process of making, and the
product are a coherent whole. Not only is an audience aware of these relationships,
but they are made to realise the necessity of that knowledge" (Ruby, 1977:4).
Unrealistic and disempowering representation of the San is related to their
political and social marginalisation. This also relates to the issue of responsibility of
researchers to the subject communities which are their sources of images and
information. The subject communities have certain expectations of academics and
filmmakers. If these expectations are not met or fulfilled in some way, the local
informants tend to feel that they are being exploited. The San often have unrealistic
expectations and are unaware of the differences between profit-making films and
research; financial constraints on academics, writers and filmmakers; and the
processes by which policy is implemented that prevent their hunger and thirst being
immediately alleviated (Tomaselli, 2001a). I attempt to test these kinds of assertions
and examine whether there are instances where the San feel that they have benefited
from and are satisfied by the encounter, and how the principles allowing for a
mutually beneficial encounter can be developed. Thus this project will deal with
empowerment and development for the San. / Thesis (M.A.)-University of Natal, Durban, 2003.
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:ukzn/oai:http://researchspace.ukzn.ac.za:10413/4583 |
| Date | January 2003 |
| Creators | McLennan-Dodd, Vanessa. |
| Contributors | Tomaselli, Keyan G. |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Thesis |
Page generated in 0.002 seconds