81 Abstract This thesis argues that motherhood as depicted in Toni Morrison's novels Song of Solomon, Beloved and A Mercy is a site of female empowerment. Its emancipating potential is set against the context of slavery and patriarchy found in the narratives and shows how mothers are able to resist oppressive structures and secure their children's well-being. Slavery practices severed family ties and caused its dismemberment by separating parents from their children. In the novels under study the recovery of those ties happens in an imaginative re-writing of history. Mother figures, such as Beloved's Sethe, come to terms with the re-embodiment of a painful familial past and deal with its traumatizing effects to be able to renounce it and move on. Others like Song of Solomon's Pilate cling to their past and act as mediators between the community's history and its descendants. A re-writing of history is urgent for African American writers and peoples who share slavery pasts, and who thus need to deal with their lasting legacies in the present. Motherhood is thus identified in several recurring patterns. Toni Morrison describes physical aspects of mothering from the point of view of the mother and uses the female body as a life-giving source that cancels the objectification of female slave bodies....
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:321124 |
| Date | January 2013 |
| Creators | Ioannou, Eleni |
| Contributors | Ulmanová, Hana, Matthews, John Thomas |
| Source Sets | Czech ETDs |
| Language | English |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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