In mid-eighteenth-century France, a type of ensemble music was introduced for harpsichord and another instrument(s) in which the harpsichord part is completely written out, instead of a bass line with figures to be realized. Composers of this genre used the word "accompanied" in the tides or in the prefaces of their collections to describe the genre. This study examines the earliest examples of this genre, the works of seven composers, published in the 1740's, (Mondonville, Rameau, Boismoitier, Clement, Dupuits, Guillemain, and Luc Marchand), and compares the various styles of the written out parts, both harpsichord and additional instrument, to determine the nature of the word, "accompaniment."
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc277662 |
| Date | 12 1900 |
| Creators | Patterson, Yumi Uchikoda |
| Contributors | McCroskey, Lenora, Cho, Gene J., Peters, Dale, Crowder, Robert D. |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | xii, 55 leaves: ill., music., Text |
| Rights | Public, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Patterson, Yumi Uchikoda |
Page generated in 0.0023 seconds