From the dawn of film history to today, film-adaption has generally been treated as the unfavored stepchild of the literary work upon which it is based. One reason for this bias is that film is seldom viewed as a free-standing work of art but rather as an off-shoot of its literary model. This perception is particularly true of German literary criticism.
In this thesis I intend to study more closely the problems involved with film-adaption and to demonstrate on the basis of three examples that process of transforming a literary work into film can in fact be a fascinating construct of intermediality.
| Identifer | oai:union.ndltd.org:RICE/oai:scholarship.rice.edu:1911/17241 |
| Date | January 1998 |
| Creators | Steuber, Tanja |
| Contributors | Eifler, Margret |
| Source Sets | Rice University |
| Language | German |
| Detected Language | English |
| Type | Thesis, Text |
| Format | 98 p., application/pdf |
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