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Poetics of distraction : Ozaki Midori's writings on film

The cinematic experience in Taisho Japan was a defining part of a spectrum of modernity's experiences associated with daily urban life. This paper argues that rather than theorizing film in rational terms common to "serious" film criticism focussing on aspects of production, Ozaki Midori envisioned the cinematic experience from the standpoint of an enthralled spectator, in terms of a sensual, bodily interaction with the cinematic image. Given the over-determined relationship of women to mass culture, one that is wrought with contradictions, Ozaki's writings on film open up the question of gender as it relates to spectatorship and the development of subjectivity within mass culture. Ozaki writes from a perspective within the cinematic experience in which the boundaries between spectator and image collapse. Ozaki offers a new mode of thinking and writing, a poetics of distraction to articulate and comprehend the modern experience.

Identiferoai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.81492
Date January 2004
CreatorsGibb, Adrienne
PublisherMcGill University
Source SetsLibrary and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada
LanguageEnglish
Detected LanguageEnglish
TypeElectronic Thesis or Dissertation
Formatapplication/pdf
CoverageMaster of Arts (Department of East Asian Studies.)
RightsAll items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated.
Relationalephsysno: 002179607, proquestno: AAIMR06509, Theses scanned by UMI/ProQuest.

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