???Sing at the Moon: the contextual narrative of isolation and grief in Australia women???s writing??? comprises two complementary elements of a single thesis: a novel and a critical essay. My novel takes as its starting point the impact of unsolved murders on small regional communities and uses this to explore the effects of isolation and grief on subjectivities, particularly women???s. The novel represents an original contribution to that strand of contemporary Australian fiction, especially as written by women, which deals with the Australian bush myth and the effects on women of the masculinism of Australian national identity. The critical component of my thesis examines Thea Astley???s Drylands and Dorothy Hewett???s Neap Tide in terms of how each novel engages with Australian literary traditions and offers an explicit critique of Australian masculinist culture. I focus on the ways the novels represent violence against women and show how this violence works to underpin the masculinist myth of mateship - to reveal a more sinister underbelly of Australian culture. Their critique of Australian masculinist culture also works at the level of form where both writers subvert a traditional ???realist??? form for political as well as aesthetic purposes. I see myself primarily as a writer and feminist who uses theory and criticism as a way of reflecting on my own creative practice in the light of writing as social responsibility. My approach both to my own novel and to Drylands and Neap Tide is shaped by Susan Lever???s proposal that ???writing and reading lie at the heart of feminism; they are the means by which women can explore and communicate the deepest aspects of their condition??? (2000,132). In my essay I am interested in providing a critical context for the novel by exploring feminist theories of subjectivity and the ways these can be represented in fiction. As a result I will analyse some of the narrative conventions employed in Hewett???s and Astley???s novels. I will show that the work of both writers operates in the context of an Australian literary tradition ??? both past and present ??? and informs and negotiates new ways that accommodate feminist concerns with fictional practice.
| Identifer | oai:union.ndltd.org:ADTP/257548 |
| Date | January 2007 |
| Creators | Hill, Barbara, School of English, UNSW |
| Publisher | Awarded by:University of New South Wales. School of English |
| Source Sets | Australiasian Digital Theses Program |
| Language | English |
| Detected Language | English |
| Rights | Copyright Barbara Hill, http://unsworks.unsw.edu.au/copyright |
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