This survey presents a transcription for horn and piano of Siete Canciones populares Españolas (Seven Popular Spanish Songs) by Manuel de Falla (1876-1946). Siete Canciones populares was written originally for voice and piano and previous transcriptions with different instrumentation have been published after the original work. In order to provide a faithful representation in my version, my study explores three main subjects: the style of Manuel de Falla; the significance of Siete Canciones; and the composer's horn writing in his orchestral work The Three-Cornered Hat. The solo horn repertoire originates in the central European countries and remains a product of their traditions until the second half of the twentieth century, when it was broadened by composers worldwide. My transcription helps to fill a gap in the repertoire for horn and piano by Spanish composers before 1950. It will serve as both a resource for horn players and a valuable contribution to horn recital repertoire.
Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc1833488 |
Date | 08 1900 |
Creators | Pérez Alonso, Rubén |
Contributors | Mickens, Stacie, Illari, Bernardo, Couturiaux, Clay |
Publisher | University of North Texas |
Source Sets | University of North Texas |
Language | English |
Detected Language | English |
Type | Thesis or Dissertation |
Format | v, 72 pages : music, Text |
Rights | Public, Pérez Alonso, Rubén, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
Relation | Recital: November 14, 2017, ark:/67531/metadc1982683, Recital: November 20, 2018, not yet digitized, Lecture recital: April 16, 2021, not yet digitized |
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