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From the Eccentric to the Essential: a Study of Hardy's Imagery and his Debt to the Visual Arts

Hardy’s visual imagery reveals both the eye of the draughtsman and the eye of the artist. His style ranges from awkward pedantries to flowing poetic beauty. This PhD thesis first examines the eccentric scientific imagery, and then the more sustained poetic visual themes such as the ‘near’ and ‘far’ view, or the use of light and shade. Hardy’s reference to paintings, etchings and sculptures is examined in detail, with illustrations provided throughout the text. / Whole document restricted, but available by request, use the feedback form to request access.

Identiferoai:union.ndltd.org:ADTP/276713
Date January 1969
CreatorsBatten, Juliet
PublisherResearchSpace@Auckland
Source SetsAustraliasian Digital Theses Program
LanguageEnglish
Detected LanguageEnglish
RightsWhole document restricted but available by request. Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated., http://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm, Copyright: The author

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