This project analyzes the disparate images of women produced during the period of Getúlio Vargas Estado Nôvo from 1937-1945, discussing their significance in the state-driven process of identity formation during the period. Using a variety of popular media sources and state-produced propaganda materials, I illustrate the paradoxical and dynamic socio-political space that women occupied in the national imaginary, the extent to which this space expanded or limited the realm of political and social action within Brazilian patriarchy, and how these contrasting images of Brazilian femininity produced at home and abroad affected notions of brasilidade. I argue that the Brazilian state ultimately did not effectively integrate women into the nationalist project, including them in the national imaginary, yet denying them full political rights and mobility. Furthermore, the Vargas regimes definition of brasilidade contradicted the more progressive images and modes of behavior promoted in the public sphere through popular media, as epitomized by Carmen Miranda.
Identifer | oai:union.ndltd.org:VANDERBILT/oai:VANDERBILTETD:etd-03262012-134212 |
Date | 09 April 2012 |
Creators | Eiland, Mary Elizabeth |
Contributors | Marshall C. Eakin, Emanuelle K. Oliveira |
Publisher | VANDERBILT |
Source Sets | Vanderbilt University Theses |
Language | English |
Detected Language | English |
Type | text |
Format | application/pdf |
Source | http://etd.library.vanderbilt.edu/available/etd-03262012-134212/ |
Rights | unrestricted, I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to Vanderbilt University or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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