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Texu Kim's "Le Temps Déformé for Solo Flute, Percussion and Strings": Background and Analysis

The purpose of this dissertation is to introduce Le Temps Déformé for solo flute, percussion, and strings, composed by Korean American composer Texu Kim (b. 1980) in 2017. The dissertation includes an analysis of the work and its background, to show that it represents a significant expansion of the concerto repertoire for solo flute and to help performers interpret it. This piece of writing should also contribute to the available sources about the composer Texu Kim, given that it is the first dissertation about him or his work. This piece should be appropriate for flutists who are seeking to perform a new piece with orchestra. Although hundreds of concertos have been written for solo flute and orchestra or string orchestra, Kim uses the unusual instrumentation of strings and percussion (drum and triangle) without woodwinds and brass. In a program note, the composer mentions that he made use of Korean traditional music, Sujecheon, which has similar instrumentation. The note also discusses he transformed and interpreted Korean traditional music to create a new interaction with Western music.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc1986275
Date08 1900
CreatorsLee, Jeong Hoon
ContributorsClardy, Mary Karen, Couturiaux, Clay, Choi, Jung
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
FormatText
RightsPublic, Lee, Jeong Hoon, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved.

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